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Could be the last time
Robin LaMer Rahija is the author of Inside Out Egg (Variant Lit 2024). She received her MFA from the University of Kentucky, where she is an administrative assistant in the Department of English. Her poems have appeared in Puerto Del Sol, FENCE, Spoon River Review, and elsewhere.

Soulmate As a Verb by Kelsey L. Smoot
Reviewed by Bess Cooley | Mar 28, 2026 Dopamine Books, February 2026 Paperback, 120 pages, $16.95 I had the pleasure of hearing Kelsey L. Smoot

INOPERABLE
Anna Antongiorgi(she/her) is a poet, choreographer, and dancer. She earned her BA in English and Theatre, Dance, and Media at Harvard, followed by an MFA in Poetry at the New School. Her poetry chapbook refinding the rules of gravity(Finishing Line Press, July 2021), was featured in Dance Magazine and included in Flight Path Dance Project’s curriculum. Her original choreopoem, SUNDAY, was presented at the TADA! Theater in October 2022. Individual poems of hers have been featured in The Inquisitive Eater and Big Windows Review. She lives in Brooklyn, works as a freelance choreographer, and dances with the Brooklyn Ballet. You can find her on instagram, @annaantongiorgi.

DEPARTMENT OF THE AIR FORCE
Brenna Womer (she/they) is a queer, childfree, Latine prose writer and poet. She is the author of Unbrained (FlowerSong Press, 2023), Honeypot (Spuyten Duyvil, 2019), and two chapbooks. Her writing across genres has appeared in North American Review, Indiana Review, DIAGRAM, The Pinch, and elsewhere. She is an Assistant Professor of Creative Writing, teaching in the MFA program at California State University, Fresno.

Legion
Katherine Indermaur is the author of ‘I|I’ (Seneca Review Books), winner of the 2022 Deborah Tall Lyric Essay Book Prize and the 2023 Colorado Prize for Poetry, and two chapbooks. She serves as an editor for Sugar House Review. Her writing has appeared in Black Warrior Review, Ecotone, Frontier Poetry, the Journal, New Delta Review, Ninth Letter, the Normal School, and elsewhere. She holds an MFA from Colorado State University and lives in Fort Collins, Colorado.

As the Sun Goes Down
Javier Sandoval grew up in the Chihuahuan Desert of Mexico and studied under Forrest Gander and John Wideman at Brown University. He now teaches at the University of Alabama where he also served as Poetry Editor of Black Warrior Review. His work has appeared in Narrative, Gulf Coast, Indiana Review, Massachusetts Review, and Southeast Review among others, and he’s been a finalist for awards from Iowa Review, Pinch, and Ninth Letter, and the recipient of Frontier Poetry’s Global Poetry Prize and swamp pink’s Indigenous Writers Award. His chapbook, Blue Moon Looming, was recently reviewed by National Book Award nominee José Olivarez as ‘poetry for the unruly, and yes, the brilliant among us.’ But mostly, he loves to smoke on the stoop with his lady.

The Flatlander
Courtney Pasko is a writer and public library worker. Originally from rural Pennsylvania, she currently resides in Baltimore with her husband and their cat, Poe. Her work has previously appeared in HAD, hex literary, and The Dodge. Read more or get in touch at courtneypasko.com.

Tall Cowboy
Scott Brennan, a writer and photographer, divides his time between Miami, Florida, and Vermont. Recent work has appeared in The Hopkins Review, River Styx, Columbia Journal, Harvard Review, and Smithsonian. The recipient of the Scotti Merrill Award, his most recent book, Raft Made of Seagull Feathers, appeared with Main Street Rag Press.

Make it Dirty
Christopher Gonzalez is the author of the story collection I’m Not Hungry but I Could Eat (Santa Fe Writers Project, 2021). He is a 2021 NYSCA/NYFA Artist Fellow in Fiction and lives in Brooklyn. He can be found most places online, @livesinpages.

Directions for After Care: Biopsy by Kami Westhoff
Kami Westhoff is the author of the story collection The Criteria, and four poetry chapbooks, including Sacral, recent winner of the Floating Bridge Chapbook Prize. She teaches Creative Writing at Western Washington University in Bellingham, WA.

The Vocabulary of Violence by Alison Colwell
Alison Colwell is a writer, mother, domestic violence survivor and community organizer. Her work has been published in several literary journals including: The Humber Literary Review, The Ocotillo Review, Roi Faineant Literary Press, Hippocampus Magazine, and Grist. She lives on Galiano Island, Canada. Connect with her at: alisoncolwell.com.

The Drive Home
Sonya Lara is a biracial Mexican American writer. She received her BA in Creative Writing from the University of Wisconsin-Madison and her MFA in Poetry from Virginia Tech. She was accepted for the Kenyon Review Writers’ Workshop with Leila Chatti, the Juniper Summer Writing Institute, the Hambidge Creative Residency Program, the Peter Bullough Foundation Residency, the Blue Mountain Center Residency, the Good Hart Artist Residency, and the Shenandoah National Park Artist-in-Residence Residency. She is the recipient of the Studios Fellowship through The Studios at MASS MoCA. Additionally, she was a finalist for the Fine Arts Work Center Fellowship and the Outpost Residency Fellowship, and was shortlisted for The Eavan Boland Emerging Poet Award and runner-up in Shenandoah’s Graybeal-Gowen Prize for Virginia Poets. Her work appeared or is forthcoming in Frontier, The Pinch, X-R-A-Y Lit, Shenandoah, Ninth Letter, AGNI, The Los Angeles Review, The Acentos Review, and elsewhere. Currently, she is the Poetry Editor for Minerva Rising and an Editor-at-Large for Cleaver Magazine. Previously, she was the Managing Editor for The New River, the Managing Editor of the minnesota review, and an Associate Fiction Editor for The Madison Review. Additionally, she has served as a juror for contests and residencies, such as the Scholastic Art & Writing Awards, the Peter Bullough Foundation Residency, and the Blue Mountain Center Residency. For more information, visit www.sonyalara.com.
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In 2025, we will accept submissions for our ProForma Contest between June 1 and July 15. We will be open to general submissions between August 1 and October 31. We publish our print issue annually and online content more regularly.